That actually happened to us once on a Pioneer front end with Funktion One sound system and were like âWe know this should be sounding better than thatâ and it was connected with the lines. Immediately things just snapped into focus when we moved them to the SPDIF. I think thatâs because not all sample rate conversion and DAC to ADC is the same quality. Funktion One is also voiced more for midrange phase accuracy and massive dynamics, and thus anything you can do to improve detail clarity is useful. The Hanpin players have pretty mediocre digital to analog stages, for instance, and Iâve never preferred the way they sound using the lines compared to SPDIF on any digital mixers that could do both. Thereâs also wildly varying implementations of SRC.
The X1700 has the best SRC Iâve ever heard in DJ equipment, and seemed to enhance 44.1khz SPDIF inputs when the mixerâs set to 96. Behind that Iâd put the Texas Instruments hardware-based SRC dedicated chip solutions in the PPD9000 and MP2015 that just plain work and sound fine but donât make anything prettier. Then youâve got a mess of techniques that new Denon, A&H, and Pioneer seem to be using⌠sometimes better in various respects to the analog stages you could swap to, sometimes worse in ways that motivated the other connection. Again, with the X1800 Iâve never found the analog connection better if I could use either. However, people were complaining about the V10âs SRC when it was first released and it was interesting that Pioneer for the CDJ-3000 made that a moot issue by putting their new players at a fixed 96khz. The new CDJ only supports up to 96khz files, so itâs very unlikely youâd ever see any benefit running their new players into 96khz digital mixers using analog connections⌠I donât care how good the DAC and ADC stages are.
It seems that outside the better SRC types, though, SRC can be a little more clinical sounding while preserving clarity better, and with good enough DAC to ADC you can get softer, more organic treble if thatâs important to you. Itâs like even average DAC to ADC (but better than what Hanpin is using, obviously) can do more gradations of treble quality than fair SRC that will instead do a one-size-fits-all treble attack, if that makes any sense. And itâs easier to do great SRC in post than in realtime, though thereâs plenty of lousy non-realtime post processing SRC, too. DAC to ADC, though, is certainly going to impart more noise and certain other types of distortion, but in some situations you might find that less objectionable to what a particular SRC stage is doing if the rates arenât matched up. YMMV. In my case, Iâm usually trying to get the most clarity per dB I can wring out of any setup with less regard to how natural it sounds to allow for more ear-friendly volumes.
Hereâs an interesting link to compare various techniques for SRC from 96 to 44.1 used in CD mastering.
https://src.infinitewave.ca/
By the way, if the sound system is processed with a DSP for crossovers, delays, etc, has a digital input, and youâre installing a digital DJ mixer and/or digital main sound board, at the very least it makes sense to put the system processor at the same rate as the digital mixer and connect the two digitally.